Do you have reference tracks? Are you working with a vocalist? What genre will the love song fall under? Is it going to be a happy song, or a sad song? These are the types of questions you need to ask. If you’re contracted to work with another producer to create a love song for a record, then you absolutely need to establish how this track is going to come together. Setting a clear songwriting goal helps avoid churning out music that sounds like how a three-year-old’s finger painting would look lacking identity and a clear direction. This is also one of the few things that I vehemently opposed because it’s completely counterproductive if you’re trying to create music with a purpose. One of the things I was taught when I went to school for music production was that you should create music freely and not worry about the results. To learn more about networking locally, as well as online, check out “How to Network in the Music Industry.” 2. In this case, the internet is your friend and you should use it to its full potential. However, if you live in a small town, you may be the only person producing music. In a big city, you’ll probably have no trouble finding someone willing to work with you. I understand how frustrating this can be, but when you stick someone who’s been producing for 6 months in a room with someone who has been producing music for 6 years, it often ends up turning into a one-on-one lesson, rather than a collaborative songwriting effort. It’s not uncommon for newer producers to be disgruntled that the more experienced producers in their city don’t want to work with them. I recommend that you contact other producers at a similar level in their production career as yourself. When you reach out to another artist, it’s ok to be upfront about what you can do for them this will help get them interested in working with you. Why do they want to work with you? Maybe you can lay down an awesome guitar solo on a track they’re currently writing, or perhaps you can get the collab placed on a huge Spotify playlist if they work with you. If they have nothing of value to offer, it’s probably not worth investing your time in them.Īpproaching this from the opposite perspective, do you have anything to offer other producers? Suppose you message someone online and tell them you want to collaborate on a track. Does this producer bring a unique skill set to the table? They could specialize in a different genre, play a particular instrument, or they may be extremely tech savvy and capable of producing high quality masters. Whether you’re planning to work with another music producer in person, or remotely, there are a couple things you’ll want to take into consideration before deciding who to partner up with. There are plenty of reasons to work with other producers, and this article is going to cover 4 tips to collaborate effectively with them. If you find the right producer, the two of you may happen to work really well together and be capable of producing top-notch tunes. Collaborating with other artists and producers is a great way to network, develop as a producer, and share your knowledge with other people.
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